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电影《达芬奇密码》的多模态话语分析(10)

发布时间:2021-06-07   来源:未知    
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黑龙江大学硕士学位论文

monomodality,areencouraged

to

dialogue诵tllotherfieldsofresearch,forinstance,

visualcommunicationstudiesandmediastudies.

1.2.2TheoreticaIrationale

Thestudyofthemultimodalityintheearlierdaysfocusedbecausethedynamicprocessofcommunication

causes

on

thestaticimages,

theimmediate

changes

inthe

semioticmodesandtheirfunctions.KressandVanLeeuwen(1996,2006)’SReading

Images:TheGrammar

ofVisual

Designsetsup

goodfoundationofvisualgrammar.

analysisofpaintings

O’Halloran

made

inspiredby

O’Toole(1994,1999)’S

MDA

frameworkforthe

tentativefurtherstepinthe

ofthemovie

ofmovieshotsthroughdiscussionofthe

alsoproposed

relevantparameters

Chinatown(1974).She

frameworkof

functionsandsystemsintheMise—en—Scene.Combiningthetoolsofvisualgrammar

toprovidea

providedbybothKress,vanLeeuwenandO’Halloran,thisthesistriedmorepracticalanddirectmodalformovieshotsinthe

linguistic

fieldinspitethatitis

complexprocessofMultimodalDiscourseAnalysisofmultimodality

perspectives

gives

movieshot.Alsothetopicoflarge

number

of

theresearches

insights

from

different

and

providestheadvancedresearcherwith

currentsurveyoftheoriesof

multimodalcommunicationbetweenpeople.

Whatshouldbetakeninto

account

primarilyisthepublicationofReadingImages

betterversionReading

(Kress&VanLeeuwen,1990)andlater

Images:The

Grammar

the

of

Hsual

Design(Kress&VanLeeuwen,1996),thatisVG.In

VisualGrammar

elementsandstructuresofvisualdesignwhichincludecolor,perspective,framingandcompositionare

examined

as

wellasthewaysinwhichimagescommunicate

meaning.

viewer

Particularlythetheorycreates

an

opportunitytobridgetheimageproducer

and

andprovides

useful

use

frameworkfor

consideringthecommunicativepotentialofvisual

thelinguisticparadigminwhich

devicespeople

formakingmeaningandtransforms

itworks,bothin“production'’and“reception”(VanLeeuwen,2005).

..4.

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